This lecture centres on the practices of African Diaspora art as archive, resistance and transformation. It adopts an Afrogenic approach, restructuring the “geographies of reason” and approaches the various timelines, genres and practices from the perspective of rhythm as a mobile institution. It seeks to move out of the realm of mysticism, obscurity and tropes over into access, right to opacity and approachability. The lecture seeks to courageously step into the uncomfortable and difficult conversation with the perspective of generous black rage.

From November 18 to 29, the Taipei Performing Arts Center and the Centre national de la Danse (Paris) organise the first edition of Camping Asia. It's an event where more than 100 students from 12 art schools from across Asia and the rest of the world gather to work and learn together.

We regularly organize semi-public talks with teachers at P.A.R.T.S. It is a way for our students to get a deeper insight in the teacher his/her personal practice, work as a performer, own artistic work, and anything else he/she might be busy with. On Monday, September 30 we had our first talk with David Hernandez.